• Sun. Jul 3rd, 2022

‘I destroy the work after an exhibition’: Contained in the bizarre worlds of artist JeeYoung Lee

Read Time:4 Minute, 38 Second


JeeYoung Lee has been touted as one of many rising stars within the Korean inventive world, and along with her new set up coming to London, there’s by no means been a greater time to see her work in individual. Meticulously crafted with extraordinary persistence, her craftsmanship has seen her collaborate with manufacturers equivalent to Hermes, Samsung and Tiger beer. The OCI Younger Creatives award-winning artist has additionally appeared in The New York Occasions and CNN Worldwide.

Opening on 23 June, Maiden Voyage sees JeeYoung remodel the NOW Gallery house right into a forest of hanging ginkgo leaves interspersed with floating paper aeroplanes and a monumental paper boat. Impressed by her heritage, this piece meditates on JeeYoung’s previous and the current, relationships, literature and nature.

The central photos of the ginkgo leaves and the paper boats additionally faucet into JeeYoung’s childhood reminiscences as a result of she used to play with them each when she was youthful. And by turning these mundane objects right into a magical set up, she has represented the gradual passage of time and the altering of the seasons.

Forward of Maiden Voyage opening within the NOW Gallery this June, we caught up with JeeYoung to listen to how she works and the pondering behind a few of her extra uncommon inventive practices.

How did you change into a multidisciplinary artist and designer?

Changing into an artist was my childhood dream. My mom by no means made a debut as an artist, however she majored in effective artwork in faculty. I bear in mind her previous oil work hung up on the wall once I was slightly baby. I recall telling myself I might change into an artist sometime as I checked out these work.

When it was time for me to resolve on a significant, I selected design over effective artwork as a result of my mother and father thought the previous had higher prospects. Once I was an undergraduate, as soon as my dream was to change into a manufacturing designer or artwork director. I used to be a member of the varsity’s filmmaking membership, and we shot music movies and quick movies collectively. I typically led the stage crew and created the units and props.

Once I took a break from faculty, I labored as an assistant in a industrial manufacturing firm. However I feel it did not supply the inventive freedom I had anticipated. I knew then this may not be my path. After that, I started pondering extra about my id and determined to change into an artist.

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

How would you describe your inventive strategy in your individual phrases?

Self-internal evaluation and reflection.

Maiden Voyage appears like a surprising set up. The place did the concept for it come from?

You possibly can typically see ginkgo timber on the streets of Korea. The thought of this piece got here to me once I noticed the streets coated with ginkgo tree leaves in fall. The yellow avenue coated with fallen ginkgo leaves was surreal, and I felt one thing totally different. The leaves that totally coated the streets have been paying homage to the waves of ginkgo leaves.

I mixed this panorama with my childhood reminiscences of enjoying with paper boats and paper aeroplanes on the water.

What are the leaves and boats constituted of, and the way lengthy did it take to create them?

Within the 2009 model of Maiden Voyage, the papers have been lower by hand to make the ginkgo leaves, and the boat sculpture was manufactured from cardboard paper. The manufacturing for the piece took a few month.

For this exhibition at NOW Gallery, within the 2022 model, I modified the fabric of the work. The ginkgo leaves are manufactured from plastic sheets (Foamex, hand-crafted), and different origami sculptures are manufactured from aluminium.

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

Destroying your work on the finish is a crucial a part of your course of. Why is that?

I think about my work’s development, images, and destruction as one. The scene I make displays a second in my life and private story. And to deliver this second again to the previous once more, I destroy the work after taking pictures or an exhibition.

The method of destroying the scene that I created permits me to transcend the difficult feelings that led me to create it within the first place. I achieve the chance to face again and analyse and observe myself from creation to destruction.

You’re employed in a small picket set which is a component of a bigger studio house. Why does a cramped surroundings go well with you?

I normally set up my work on this set house and movie the work. The set measurement might be adjusted relying on the challenge.

My works are reconstructions of my psychological panorama. A room is an area that reveals particular person tendencies. Because of this, I believed a room-like house can be appropriate for the format of my work.

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

© JeeYoung Lee

JeeYoung Lee

JeeYoung Lee

JeeYoung Lee

What’s the largest problem you encounter as a inventive skilled, and the way do you overcome it?

As an artist, it’s a nice problem to keep up stability between anxiousness and self-confidence and between ideally suited and actuality. It is going to be an ongoing problem as an artist.

What recommendation would you give to different individuals embarking on a inventive profession?

Imagine in your self. Have your individual velocity and course.

Was this post helpful?

The 6 Best Ring Lights for Home Studio Photography in 2022 Best Laptop for Creatives or Designers